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English rock musician (born 1943)

Christine McVie
Christine McVie 2019.jpg

McVie in 2019
Born

Anne Christine Perfect[ citation needed ]


(1943-07-12) 12 July 1943 (age 78)

Bouth, Lancashire, England
Other names Christine Perfect
Occupation Singer-songwriter, keyboardist
Years active
  • 1967 (1967)–1998 (1998)
  • 2004 (2004)
  • 2013 (2013)–present
Spouse(southward)

John McVie

​

​

(m. 1968; div. 1976)​


Eduardo Quintela

​

​

(thou. 1986; div. 2003)​
Musical career
Genres
  • Blues
  • blues rock
  • popular rock
  • stone
  • soft rock
Instruments
  • Keyboards
  • vocals
Labels
  • Blue Horizon
  • Reprise
  • E1 (US)
  • Sanctuary
  • Columbia
Associated acts
  • Fleetwood Mac
  • Chicken Shack
  • Lindsey Buckingham/Christine McVie

Musical artist
Signature
Christine McVie signature.svg

Christine Anne McVie (née Perfect; born 12 July 1943)[1] is an English vocaliser, songwriter, lead vocalist[2] and keyboardist of Fleetwood Mac, which she joined in 1970.[3] She has besides released three solo albums. She has a contralto voice. Her straight but poignant lyrics focus on honey and relationships. AllMusic describes her every bit an "Unabashedly piece of cake-on-the-ears singer/songwriter, and the prime mover behind some of Fleetwood Mac's biggest hits."[4] Eight of her songs appeared on Fleetwood Mac's 1988 Greatest Hits album.[5]

In 1998, McVie was inducted into the Rock and Roll Hall of Fame every bit a member of Fleetwood Mac, and received the Brit Honor for Outstanding Contribution to Music. The same year, later on near xxx years with the band, she opted to leave and lived in semiretirement for nearly 15 years. She released a solo anthology in 2004. In September 2013, she appeared on stage with Fleetwood Mac at London'due south O2 Arena. She rejoined the band in September 2014 prior to their On with the Bear witness tour.[6]

In 2006, McVie received a Gold Badge of Merit Accolade from Basca, now The Ivors University.[seven] In 2014, she received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors, and was honored with the Trailblazer Laurels at the U.k. Americana Awards in 2021.[8] [9] She is also the recipient of ii Grammy Awards.[10]

Early life [edit]

McVie was born in the Lake Commune village of Bouth, Lancashire, and grew up in the Bearwood surface area of Smethwick near Birmingham. Her male parent, Cyril Percy Absell Perfect, was a concert violinist and music lecturer at St Peter's College of Education, Saltley, Birmingham, and taught violin at St Philip's Grammar Schoolhouse, Birmingham. McVie's mother, Beatrice Edith Maud (Reece) Perfect, was a medium, psychic, and religion healer. McVie's grandfather was an organist at Westminster Abbey.[11]

Although McVie was introduced to the pianoforte when she was four, she did non study music seriously until age 11, when she was reintroduced to information technology by Philip Fisher, a local musician and schoolhouse friend of McVie's older blood brother, John.[12] Continuing her classical preparation until age 15, McVie shifted her musical focus to rock and roll when her blood brother, John, came dwelling with a Fats Domino songbook.[thirteen] Other early influences included The Everly Brothers.[xiv]

Early music [edit]

McVie studied sculpture at Moseley School of Art in Birmingham[15] for five years, with the goal of condign an art teacher. During that fourth dimension, she met a number of budding musicians in Britain's dejection scene.[12] Her starting time foray into the music field came when she met two friends, Stan Webb and Andy Silvester, who were in a band chosen Sounds Of Blue. Knowing that McVie had musical talent, they asked her to bring together.[16] She often sang with Spencer Davis. By the fourth dimension McVie graduated from fine art higher, Sounds of Blue had split up, and as she did not have enough money to launch herself into the art earth, she moved to London and worked briefly equally a section-store window dresser.[16]

Chicken Shack [edit]

In 1967, McVie learned that her ex-bandmates, Andy Silvester and Stan Webb, were forming a blues band, Craven Shack, and were looking for a pianist. She wrote to them request to join. They accepted and invited her to play keyboards/pianoforte and to sing background vocals. Chicken Shack's debut release was "It'south Okay With Me Babe", written past and featuring McVie.[16] She stayed with Craven Shack for ii albums, during which her 18-carat feel for the dejection became evident, not only in her Sonny Thompson-style piano playing, but also through her authentic "bluesy" vox.[17] Chicken Shack had a hit with "I'd Rather Go Bullheaded", which featured McVie on atomic number 82 vocals.[18] McVie received a Tune Maker laurels for female vocaliser in both 1969 and 1970. McVie left Craven Shack in 1969 after marrying Fleetwood Mac bassist John McVie a year before.[ citation needed ]

Fleetwood Mac [edit]

McVie was a fan of Fleetwood Mac, and while touring with Chicken Shack, the two bands would oft come across. They also were both signed to Blue Horizon, and Fleetwood Mac had asked her to play piano every bit a session musician for Peter Green'due south songs on the band's 2d album, Mr. Wonderful.[nineteen]

Encouraged to continue her career, McVie recorded a solo anthology, Christine Perfect; following her success every bit a member of Fleetwood Mac, the anthology was reissued nether the proper noun The Legendary Christine Perfect Album. After marrying John McVie, she joined Fleetwood Mac in 1970. She had already contributed backup vocals and painted the comprehend for Kiln House. The band had just lost founding fellow member Peter Green, and its members were nervous about touring without him. McVie had been a huge fan of the Peter Light-green-era Fleetwood Mac, and since she knew all the lyrics to their songs, she went along.[20]

McVie went on to become an integral member, another lead vocaliser, and keyboardist of the grouping; the first album with her equally a full-fledged ring fellow member was Hereafter Games. It was recorded at London'southward Advision Studios and included the first with American-born member Bob Welch in place of founding member Jeremy Spencer. Danny Kirwan was still in the band at this point, but he was fired in 1972 after an incident on bout where he refused to perform at a gig subsequently a row with Welch.

The early 1970s was a rocky time for the band, with a revolving door of musicians, and simply the albums Bare Trees and Mystery to Me were successful.[21] Furthermore, a group impersonating Fleetwood Mac (which later became Stretch) was touring the United States with encouragement from the band's manager, Clifford Davis. The tour complanate, but it led to a protracted lawsuit between Davis and Fleetwood Mac.[22]

In 1974, McVie reluctantly agreed to movement with the balance of Fleetwood Mac to the United States. Within a year, Stevie Nicks and Lindsey Buckingham of Buckingham Nicks joined the band, giving it an added dimension. Their starting time album together, 1975'south Fleetwood Mac, had several hit songs, with McVie's "Over My Head" and "Say You Love Me", both reaching Billboard's elevation-xx singles chart. "Over My Head" put Fleetwood Mac on American radio and into the national top 20.[23]

In 1976, McVie began an on-the-road thing with the band's lighting director,[24] which inspired her to write "You Brand Loving Fun", a top-10 hitting on the landmark smash Rumours, i of the acknowledged albums of all-fourth dimension. Her biggest striking was "Don't Cease", which reached number three. The Rumours bout too included McVie's "Songbird", a ballad played every bit the encore of many Fleetwood Mac concerts.

By the end of the Rumours tour, the McVies were divorced. The 1979 double anthology Tusk produced iii more Us acme-twenty hits ("Tusk", "Sara", and Christine'southward "Think Nigh Me"), but it came nowhere near to matching the success of the Rumours anthology.[25] The Tusk tour continued into 1980, subsequently which the band took fourth dimension apart. They reunited in 1981 to record the album Mirage at the Château d'Hérouville'south studio in France. The album, released in 1982, returned the band to the superlative of the US charts and contained the top-five hit "Agree Me", co-written by McVie. McVie'south inspiration for the song was her tortured relationship with Beach Boys drummer Dennis Wilson.[26] Her song, "Love in Store", became the tertiary single from the album peaking at number 22 in early on 1983.[27]

Recorded in 1984, her 2nd solo anthology, Christine McVie, included the hits "Got a Hold on Me" (number x The states pop, number one adult contemporary and number ane Mainstream Stone Tracks) and "Love Will Show Us How" (number xxx U.s.a. popular). A 3rd single, "I'm The Ane", was released, merely did not nautical chart. McVie is quoted in The Billboard Book of Number One Adult Contemporary Hits equally saying of her solo anthology, "Maybe it isn't the most audacious album in the world, just I wanted to exist honest and please my own ears with it."[28]

McVie too met keyboardist Boil Quintela, whom she married on 18 October 1986. Quintela went on to co-write many songs with her that were featured on subsequent Fleetwood Mac albums. She rejoined Fleetwood Mac to tape the Tango in the Night album, which went on to become the band'southward biggest success since Rumours 10 years earlier. The biggest hit from the album, which was peak five in both the UK and U.S., was McVie's "Piddling Lies", co-written with Quintela. Another McVie single from the album, "Everywhere", reached number 4 in the UK, which would exist the band's 3rd-highest ever chart peak there, and their final meridian-forty U.k. hit to date (the unmarried peaked at number 14 in the U.S.).[29] In 1990, the band (now without Lindsey Buckingham) recorded Behind the Mask, only the album simply reached Gilded status in the U.S.,[30] and but McVie'southward song "Salvage Me" made the U.Southward. elevation 40. The album did enter the UK album chart at number i and reached Platinum status in that location. The second U.s.a. unmarried release from the anthology, McVie's "Skies the Limit", did not make the tiptop 100, but did accomplish number 10 on the developed gimmicky chart.

Upon the death of her father, Cyril Perfect, while she was touring for Behind the Mask, McVie decided to retire from touring.[31] Despite the departure of Stevie Nicks, McVie remained with the ring, writing and recording a new track ("Dear Shines") for the 1992 boxed set 25 Years – The Chain, and five songs for the ring's 1995 album Time. Afterward Fleetwood, John McVie, and Buckingham got together for one of Buckingham's solo projects in the mid-1990s, she was asked to sing and play on some of the tracks. Then, the four decided a full reunion was possible and Nicks joined them. The live anthology, The Dance, reached number one on the US anthology charts.

Despite her reservations, McVie complied with the band's touring schedule, then performed for the grouping's 1998 induction into the Rock and Whorl Hall of Fame, equally well equally the Grammy Awards evidence, and the Brit Awards in the UK. McVie later revealed in a 2014 Rolling Stone interview that she had adult a phobia almost flying, which was later on treated with psychotherapy. This phobia was the reason she decided non to keep with Fleetwood Mac after 1998.[31] In 2006, Paste named McVie, together with bandmates Lindsey Buckingham and Stevie Nicks, as the 83rd-greatest living songwriter or songwriting team.[32]

Hiatus from Fleetwood Mac and semiretirement (1998–2014) [edit]

After The Dance, McVie returned to England to be near her family unit and stayed out of public view until 2000, when she appeared to accept an honorary doctorate in music from the University of Greenwich.[33] Five years after leaving Fleetwood Mac, Quintela and she divorced.[34]

In a 2004 interview, McVie admitted to not listening much to pop music anymore and stated, instead, a preference for Classic FM.[35] [36] In December 2003, McVie went to see Fleetwood Mac's last U.k. performance on the Say Y'all Will tour in London, but did non bring together her former bandmates on stage.[37] Mid-2004 had the release of McVie'south new solo album, In the Meantime, her third in a career spanning five decades. Recording in her converted barn in Kent, she worked on the projection with her nephew, Dan Perfect, who contributed guitar-playing, backing vocals, and songwriting. No tour was organized to promote this album; instead, McVie conducted several press interviews in both Great britain and the United states of america.

In 2006, McVie was awarded the British Academy of Songwriters, Composers and Authors' Gold Bluecoat of Merit at a anniversary held at London's Savoy Hotel.[38] In November 2009, McVie did not bring together her sometime bandmates on the ring'southward final performance in the United kingdom of great britain and northern ireland of the tour Unleashed.[39] During the announcement of Fleetwood Mac'southward 2012 world bout, Stevie Nicks downplayed the likelihood of McVie ever rejoining the grouping: "She went to England and she has never been dorsum since 1998 [...] as much as we would all like to call up that she'll only change her listen one mean solar day, I don't call up information technology'll happen [...] We honey her, so we had to let her go."[40]

In October 2013, McVie was announced as recording a solo album for the first fourth dimension in nine years. The anthology is nevertheless to be released.[41]

Return to Fleetwood Mac and album with Lindsey Buckingham (2014–present) [edit]

In 2013, McVie appeared on stage in Maui, Hawaii, performing with the Mick Fleetwood Blues Band, which included Mick Fleetwood and ex-Fleetwood Mac guitarist Rick Vito. This was her first appearance on stage in 15 years.[42] Afterwards in September, Christine McVie joined Fleetwood Mac on phase for the outset time in xv years to play "Don't Stop" at The O2 Arena, London. She played on ii dates and her advent on stage was received with rapturous applause.[43] [44] On 11 January 2014, Mick Fleetwood announced during a concert in Maui that McVie would exist rejoining the band,[45] and it was officially appear two days later on that she had rejoined.[46] The band's most popular lineup (Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, and Stevie Nicks) performed together for the showtime fourth dimension since 1998 in its On with the Show tour beginning in Minneapolis at the Target Centre on 30 September 2014.

In Baronial 2016, Mick Fleetwood said that while the band has "a huge amount of recorded music", virtually none of information technology features Stevie Nicks. Lindsey Buckingham and McVie, however, take contributed multiple songs to the new project. Fleetwood told Ultimate Archetype Stone, "She [McVie] ... wrote up a tempest ... She and Lindsey could probably have a mighty strong duet album if they desire. In truth, I hope it will come to more than that. In that location actually are dozens of songs. And they're really good. And then we'll run into."[47]

Buckingham and McVie performing live in 2017.

The album Lindsey Buckingham Christine McVie was released on 9 June 2017, and was preceded by the single, "In My World". A 38-engagement bout began on 21 June 2017 and ended on 16 Nov.[48] [49] The album was originally planned as a Fleetwood Mac album. Stevie Nicks did not participate due to her preference for a solo tour with The Pretenders.

From 21 June to 27 July 2017, the duo engaged in a fourteen-engagement N American tour.[48] 8 of the album's ten tracks were played live, with the rest of the ready list consisting of Fleetwood Mac songs and Buckingham solo cuts.[fifty] [51] The Wallflowers opened for the band on select nights.[52] In June, the band appeared on The Tonight Show Starring Jimmy Fallon to perform the album's first single, "In My World".[53] Some extra North American shows were later added in August, including 1 in Los Angeles and another in New York Urban center.[54] Another North American leg began in October, which saw the addition of 22 more shows.[55]

Fleetwood Mac headlined the second night of the Classic W concert (on sixteen July 2017 at Dodger Stadium in Los Angeles) and the second night of the Archetype Eastward concert (at New York City's Citi Field on 30 July 2017). On 9 April 2018, Fleetwood Mac announced that Mike Campbell would be joining the band along with Neil Finn to replace lead guitarist Lindsey Buckingham, who was fired.[56]

In 2019 McVie was featured in the 90-minute BBC documentary Fleetwood Mac's Songbird - Christine McVie, directed by Matt O'Casey.[57]

Personal life [edit]

When McVie married John McVie in 1968, Peter Dark-green was best homo. They honeymooned in Birmingham earlier going off with their own divide bands. The couple divorced in 1976 simply take remained friends and maintained a professional person partnership.[58] During the production of Rumours McVie had an affair with Fleetwood Mac'south lighting engineer, Back-scratch Grant, which inspired the song You Make Loving Fun. [59] [sixty] From 1979 to 1982, she was engaged to Dennis Wilson of The Beach Boys. McVie married Portuguese keyboardist and songwriter Eddy Quintela on 18 October 1986. Quintela and McVie collaborated on a number of songs together including Little Lies. [61] [62] They divorced in 2003, and Quintela died in 2020.[63]

During the top of Fleetwood Mac's success in the 1970s, McVie resided in Los Angeles in a house that had previously been owned by Joan Collins and Elton John.[64] She later on moved to a Grade 2-listed Tudor manor house in Wickhambreaux, Kent, where she recorded some of her solo material and retired to subsequently leaving Fleetwood Mac. Afterward rejoining the band, she announced her intention to sell the property.[65] [66]

Collaborations [edit]

McVie sang with Dennis Wilson on his song "Dear Surrounds Me" for The Beach Boys' 1979 anthology L.A. (Light Album). She also sang with Christopher Cross on the song "Never Finish Believing" on his 1988 album Back of My Listen, as well as with Bob Welch on his solo version of "Sentimental Lady". McVie released an album with fellow Fleetwood Mac member Lindsey Buckingham titled Lindsey Buckingham Christine McVie on 9 June 2017.

Discography [edit]

With Craven Shack [edit]

Yr Album U.Due south. Billboard 200 U.k. Albums Nautical chart[67] Additional information
1968 40 Blue Fingers, Freshly Packed and Fix to Serve - 12 -
1969 O.K. Ken? - 9 -

With Fleetwood Mac [edit]

Year Anthology U.South. Billboard 200 Britain Albums Chart[68] Additional information
1968 Mr. Wonderful - 10 First Fleetwood Mac album to feature Christine McVie every bit a session musician. According to producer Mike Vernon, McVie played piano on all of Peter Green's songs, whereas Jeremy Spencer played pianoforte on his own.
1969 Then Play On 109 six McVie featured as a session musician on this album. Although piano appears on a few of the tracks information technology is not clear if it was played by McVie or Spencer. McVie has said she contributed background vocals to the anthology.
1970 Kiln House 69 39 McVie created the album art and duetted vocals with Danny Kirwan on "Station Human" (uncredited only aural). While Jeremy Spencer is credited with all keyboard parts on the anthology, McVie may accept played the electric keyboard on "Tell Me All the Things You Do".
1971 Future Games 91 - First album with McVie equally a full member of Fleetwood Mac. She contributed and sang two songs.
1972 Blank Copse lxx - Included McVie'south "Spare Me A Little Of Your Beloved" and "Homeward Bound".
1973 Penguin 49 - McVie's "Call up Me" and "Did You E'er Love Me" were selected as singles but neither charted.
1973 Mystery to Me 67 - Contains four McVie songs, on which she sings atomic number 82 vocals, and a pb vocal on one of Welch's. Her vox is likewise featured prominently in the mix on Welch'southward tunes "Somebody," "Miles Away," "Emerald Optics" and "Hypnotized".
1974 Heroes Are Difficult to Notice 34 - McVie's title track was selected as the album'south only single. It did not chart. She contributed and sang 4 songs.
1975 Fleetwood Mac 1 23 Outset album with Stevie Nicks and Lindsey Buckingham. McVie's own "Over My Head" became Fleetwood Mac's commencement radio striking in the US, peaking at #xx on the Billboard Hot 100. Her "Say You Love Me" was also a Top 20 record. "Warm Means" was selected every bit the album's first single but did not chart. The uptempo blues, "Sugar Daddy" has never been performed live.
1977 Rumours one 1 Featured McVie's highest-charting single with Fleetwood Mac—"Don't Stop" — coming in at #3 on the The states Charts. It also included her "You Make Loving Fun", which made the US Tiptop 10. McVie's signature tunes, "Oh Daddy" and "Songbird", are also included.
1979 Tusk 4 1 Featured her "Think About Me", which hit #xx on Billboard in 1980. Peter Green added some guitar to McVie's "Brown Eyes"
1980 Live xiv 31 Featured a new McVie song—"One More Night"
1982 Mirage ane 5 Featured McVie's "Hold Me" (US#four) and "Love in Store" (United states of america#22).
1987 Tango in the Night vii 1 Included McVie standards "Little Lies" (Britain#5, United states of america#4), "Everywhere" (UK#four, Us#fourteen), and "Isn't Information technology Midnight" (UK#sixty).
1988 Greatest Hits 14 3 Featured two new songs including McVie'southward "Equally Long as You Follow" which peaked at #43 on Billboard's Hot 100, #15 on its Rock nautical chart, and #i on Adult Contemporary
1990 Behind the Mask 18 ane McVie'southward "Salve Me" reached the US Acme 40 in 1990. McVie stopped touring with Fleetwood Mac subsequently the Behind The Mask tour was consummate
1995 Fourth dimension - 47 The last studio release with McVie as a full-time member. "I Practice" was released equally a single and reached #62 in Canada.
1997 The Dance 1 15 McVie's "Temporary One" was released every bit a single and reached #99 in Germany .
2003 Say You Will iii half dozen McVie was credited as an additional musician. She played keyboards and provided background vocals on "Bleed to Love Her" and "Steal Your Middle Away".

Solo albums [edit]

Yr Album U.S. Billboard 200 U.S. Independent Albums U.k. Albums Chart[69] AUS[70]
1970 Christine Perfect — — — —
1984 Christine McVie 26 — 58 67
2004 In the Meantime — 32 133 —

With Lindsey Buckingham [edit]

Twelvemonth Anthology U.S. Billboard 200 Uk Albums Nautical chart Additional information
2017 Lindsey Buckingham Christine McVie 17[ commendation needed ] five[ citation needed ] The album started out as Fleetwood Mac'southward eighteenth studio album. Lindsey Buckingham and McVie decided to make it a new project later on multiple delays with the album's recording due to Stevie Nicks' commitment to her solo career.

Compilation albums [edit]

Year Anthology U.S. Billboard 200 UK Albums Chart[68] Additional information
1977 Albatross - - Compilation album credited to Fleetwood Mac and Christine Perfect. Side A consists of early on tracks by Fleetwood Mac and side B consists of tracks by Christine Perfect.

Singles [edit]

Year Song U.Southward. Hot 100 U.S. Rock U.S. AC AUS [70] Album
1969 "When You lot Say"

—

—

—

—

 Christine Perfect
1970 "I'm As well Far Gone (To Turn Around)"

—

—

—

—
1984 "Got a Hold on Me"

x

1

ane

55

 Christine McVie
"Love Will Prove Us How"

30

24

32

—
"One in a 1000000"

—

27

—

—
2004 "Friend"

—

—

29

—

 In the Meantime

References [edit]

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External links [edit]

  • Christine McVie at AllMusic
  • Christine McVie at IMDb
  • All-encompassing bio, links to charts, discography

suttonunden1940.blogspot.com

Source: https://en.wikipedia.org/wiki/Christine_McVie

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